Frank Stella

July 21, 2016By pablogtArtists, Blogt

Frank Stella

I like real art. It’s difficult to define REAL but it is the best word for describing what I like to get out of art and what the best art has. It has the ability to convince you that it’s present – that it’s there. You could say it’s authentic… but real is actually a better word, broad as it may be. – Frank Stella

Learn more about Frank Stella here.

Natasja Kensmil

July 20, 2016By pablogtArtists, Blogt

Natasja Kensmil

Sometimes when you dream, you know that you are almost awake and dawn is on its way and yet you get stuck in a nightmare that keeps on repeating itself. Images of different times spinning around your head in a frenzy, forcing you to go round in endless labyrinths of the past, sometimes dressed-up as the future. Or is it the other way around? Gothic versions of stories you’ve once read somewhere, pictures you saw or tales you’ve been told in the dark. – Marlene Dumas

See more works by Natasja Kensmil here. Also see this exhibition.

Glenn Ligon

July 11, 2016By pablogtArtists, Blogt

Glenn Ligon

Mostly, though, paint functions as a medium of resistance for Ligon; it occludes visibility and threatens form. Nowhere is such deletion more explicit than in Untitled (Cancelation Prints) (1992 and 2003), where a flesh-coloured ‘X’ overtakes the entire white image field, demarcating the distance between the construct of whiteness and the pinkness of most European skin. This obliterating impulse equally manifests in Self-Portrait, the inky, black surface of which is visibly scratched and gouged. Such signs of refusal emphasize how Ligon’s numerous self-portraits are invariably exercises in effacement and retraction. – Leora Maltz-Leca

See more works by Glenn Ligon here.

Sergej Jensen

July 4, 2016By pablogtArtists, Blogt

Sergej Jensen

Paintings may be pictures, but they are always objects. The blatant materiality of Sergej Jensen’s canvases made them seem part of the interior architecture of Neu’s gallery. Jensen has consistently had an ambivalent relation to the spaces in which he shows his work. Previously at Neu, he arranged mats on the floor that resembled his patchwork paintings, converting the gallery into a pseudo-living room, the paintings into decor that satirized the convention of a “high-art painting” show. – Mark Prince

See more artworks by Sergej Jensen here.