Tag Archives: exhibition

Michelangelo Pistoletto

Michelangelo Pistoletto did some art Defacing paintings in the sixties and I loved it. Recently I was able to see a retrospective about one of Arte Povera’s founders ‘Michelangelo Pistoletto: Da Uno a Molti, 1956 – 1974‘, at the sublime MAXXI, Rome’s National Museum of XXI Century Arts designed by Zaha Hadid, a real contemporary art cathedral. Pistolettos’ Mirror Paintings seem like they were made yesterday, fresh! It was zen:

Christian Boltanski

See some Christian Boltanski’s pictures in Monumenta 2010. I liked this odd exhibition but like always… so far, so close. January 1st, 2010, my soon to be family in law had breakfast with Christian Boltanski and Annette Messager. These are artists that I will love to meet … but no luck. I’ll tell you the story. My future parents in law run a beautiful bed & breakfast (La Maison du Cordon) in a small town in Burgundy (Aignay-le-Duc) where a very important french artist lives (Bertand Lavier) … so far this reads like an art fairy tale and you will tell me it is not possible… but yes, they came to spend new year’s eve with Lavier and so they slept in my parents in law’s B&B. I think next New Year’s eve I will spend it in Burgundy … just in case.

Connected

Pablo Gonzalez-Trejo, Connected, 79 x 220 inches, 200 x 560 cm, 2009, Charcoal and Graphite on Canvas

Pablo Gonzalez-Trejo, Connected, 79 x 220 inches, 200 x 560 cm, 2009, Charcoal and Graphite on Canvas

Join me for a defacing performance November 4th at 7:30 pm at Le 104CENTQUATRE as part of my ongoing Defacing Art Project.

Exhibition runs from November 4th to the 8th, 2009. Vernissage opening starts at 6:00 pm

Le 104CENTQUATRE
104 rue d’Aubervilliers / 5 rue Curial 75019 Paris
M : Stalingrad (ligne 2) , Crimée ou Riquet (ligne 7)
Vélib’: bornes rue d’Aubervilliers, rue Curial, rue Riquet

Pablo Gonzalez-Trejo, Marilyn Monroe, 77 x 51 inches, 195 x 130 cm, 2009, Charcoal and Graphite on Canvas

Pablo Gonzalez-Trejo, Marilyn Monroe, 77 x 51 inches, 195 x 130 cm, 2009, Charcoal and Graphite on Canvas

Pablo Gonzalez-Trejo, JFK, 77 x 51 inches, 195 x 130 cm, 2009, Charcoal and Graphite on Canvas

Pablo Gonzalez-Trejo, JFK, 77 x 51 inches, 195 x 130 cm, 2009, Charcoal and Graphite on Canvas

Pablo Gonzalez-Trejo, Bay of Pigs, 79 x 118 inches, 200 x 300 cm, 2009, Charcoal and Graphite on Canvas

Pablo Gonzalez-Trejo, Bay of Pigs, 79 x 118 inches, 200 x 300 cm, 2009, Charcoal and Graphite on Canvas

Not Welcome

Pablo Gonzalez-Trejo, Che and Fidel, 79 x 118 inches, 200 x 300 cm, 2008, Charcoal and Acrylic on Canvas, after

Pablo Gonzalez-Trejo, Che and Fidel, 79 x 118 inches, 200 x 300 cm, 2008, Charcoal and Acrylic on Canvas, after

Please join us for an art exhibition performance on July 10th as part of the Defacing Art Project by Pablo Gonzalez-Trejo. Visitors will be invited to deface the artworks so to become iconoclasts making a new departure for the artworks.

Place: Freedom Tower – MDC Gallery
Opening Reception: Thursday, July 10th, 2009 at 6:30pm
Exhibition Runs until: Tuesday, August 30th, 2009
Address: 600 Biscayne Blvd, Miami, FL
Phone: 1 305 237 7186
Email: galleries@mdc.edu

Also read articles about the Defacing Art Project here:
(Fr) Defacing ou les strates de la mémoire
(Sp) Desdibujando identidades en el espacio y tiempo: proyecto Defacing
(En) The strength lies in surrendering: Defacing

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Altermodern Manifesto

altermodern

POSTMODERNISM IS DEAD

A new modernity is emerging, reconfigured to an age of globalisation – understood in its economic, political and cultural aspects: an altermodern culture

Increased communication, travel and migration are affecting the way we live

Our daily lives consist of journeys in a chaotic and teeming universe

Multiculturalism and identity is being overtaken by creolisation: Artists are now starting from a globalised state of culture

This new universalism is based on translations, subtitling and generalised dubbing

Today’s art explores the bonds that text and image, time and space, weave between themselves

Artists are responding to a new globalised perception. They traverse a cultural landscape saturated with signs and create new pathways between multiple formats of expression and communication.

The Tate Triennial 2009 at Tate Britain presents a collective discussion around this premise that postmodernism is coming to an end, and we are experiencing the emergence of a global altermodernity.

Nicolas Bourriaud
Altermodern – Tate Triennial 2009
at Tate Britain
4 February – 26 April 2009