Jim Hodges

January 21, 2018By pablogtArtists, Blogt

In 1986, when Jim Hodges had just graduated from art school, he regularly destroyed his own finished works.

The materials he used then — mainly dirt and dust — were throwaways anyway. But these ritual mutilations, he said, reflected “a punk attitude of destruction, a kind of anarchist approach to things.” They were also the artist’s complex response to the threat of AIDS, he said, and the real life and death context he felt he was very much in. – By Dorothy Spears

See more of Jim Hodges’s recent artworks here.

Joseph Beuys

December 8, 2017By pablogtArtists, Blogt

Art alone makes life possible – this is how radically I should like to formulate it. I would say that without art man is inconceivable in physiological terms. – Joseph Beuys

Lee Bae

October 24, 2017By pablogtArtists, Blogt

Lee Bae

Ces oeuvres rappellent le grand intérêt que Lee Bae porte à la matière et à la façon, lente, de la travailler. Elles remettent en avant une quête spirituelle et une dimension du temps omniprésentes dans sa démarche: le temps inhérent à l’histoire même du charbon de bois et à la manière dont il le traite. – Henri-François Debailleux

See more artworks by Lee Bae here.

Lothar Quinte

May 19, 2017By pablogtArtists, Blogt No Comments

Artiste allemand installé en Alsace depuis les années 1960, Lothar Quinte fut au début de sa carrière un créateur de vitraux. Il a également participé, dans les années 1950, u mouvement de l’abstraction et de la « peinture pure ».
Son art – qui s’est toujours refusé à quelqu’espère de figuration – repose dans ses œuvres les plus récentes sur de subtiles gradations de la couleur faisant apparaître une forme en état de suspension et affectée d’une intense vibration lumineuse. (Paul Guérin)
Mari de Sibylle Wagner, ils ont réalisé ensemble de nombreuses œuvres – un peu à l’image du couple Jean Tinguely / Niki de Saint Phalle – et ont beaucoup collaboré en Inde, où ils se sont rendus trois mois annuellement, de 1985 à 1994.

See more artwork by Lothar Quinte here.

Glenn Ligon

July 11, 2016By pablogtArtists, Blogt

Glenn Ligon

Mostly, though, paint functions as a medium of resistance for Ligon; it occludes visibility and threatens form. Nowhere is such deletion more explicit than in Untitled (Cancelation Prints) (1992 and 2003), where a flesh-coloured ‘X’ overtakes the entire white image field, demarcating the distance between the construct of whiteness and the pinkness of most European skin. This obliterating impulse equally manifests in Self-Portrait, the inky, black surface of which is visibly scratched and gouged. Such signs of refusal emphasize how Ligon’s numerous self-portraits are invariably exercises in effacement and retraction. – Leora Maltz-Leca

See more works by Glenn Ligon here.

Sergej Jensen

July 4, 2016By pablogtArtists, Blogt

Sergej Jensen

Paintings may be pictures, but they are always objects. The blatant materiality of Sergej Jensen’s canvases made them seem part of the interior architecture of Neu’s gallery. Jensen has consistently had an ambivalent relation to the spaces in which he shows his work. Previously at Neu, he arranged mats on the floor that resembled his patchwork paintings, converting the gallery into a pseudo-living room, the paintings into decor that satirized the convention of a “high-art painting” show. – Mark Prince

See more artworks by Sergej Jensen here.

Lucy Skaer

June 30, 2016By pablogtArtists, Blogt

Lucy Skaer

Lucy Skaer created these drawings consisting of rhythmic black sharpie spirals in grids, pictorial shapes, and patterns additionally filled in with graphite like a tapestry. She wove together different earlier drawings as a patchwork and utilized a few assistants to carry out the tedious, repetitive labor. Here, we see a play with drawing on paper at an architectural scale. A tension exists between the intricate, repetitive detail in graphite (which we may see as lushly decorative) and the bodily scale shift to a larger, wholesome framework. – Drawing Art Center

Manor Grunewald

June 10, 2016By pablogtArtists, Blogt

Manor Grunewald

In his recent work Manor Grunewald has made a dual turn, pushing his paintings in two seemingly opposing, but in fact intimately related directions. Towards a washed out, nearly empty field, on the one hand, and towards a full, image-laden one on the other. – Alex Bacon

See more artworks by Manor Grunewald here.

Stefan Bruggemann

June 10, 2016By pablogtArtists, Blogt

Stefan Bruggemann

Stefan Brüggemann is keen on thinking up titles. So far he has compiled a list of 1,271 of them (‘Show Titles vol. #1’, 2000–6), creating for himself an index of imaginary exhibitions. One might begin, then, with the title of the present show: ‘Soap Box (A Decorative Form of Nihilism)’. A ‘soap box’ would suggest political declarations, the arts of rhetoric and public address, perhaps even the pathos of outmoded ideals. ‘A decorative form of nihilism’? Well, what else can one do with non-belief but inhabit it, display it as a mark of distinction, covering the walls with parerga abutting onto nothing in particular? We might describe Brüggemann first as a rhetorician of emptiness. But, working in the tradition of the dandy, he has also succeeded in dramatizing boredom, which opens ‘soap box’ to a rather different, more private set of connotations. – Tim Stott

See more artworks by Stefan Bruggemann here.

Stéfane Perraud

March 31, 2016By pablogtArtists, Blogt
Stéphane Perraud, Pierre, 2016, 30 x 40 cm, tirage numérique sur papier, gravure laser, aluminium.
Stéphane Perraud, Pierre, 2016, 30 x 40 cm, tirage numérique sur papier, gravure laser, aluminium.

Stéfane Perraud is doing some geometric laser art defacing. See more artworks by Stéfane Perraud here.

Gonzalo Lebrija

November 6, 2015By pablogtArtists, Blogt
Gonzalo Lebrija, Unfolded, 2015 - Galerie Laurent Godin, Paris
Gonzalo Lebrija, Unfolded, 2015 – Galerie Laurent Godin, Paris

It’s not worth it, says Allen. And it might not be worth for Lebrija either, whose dark Mexican humour and metaphysical bent continues a great tradition of artists and writers. Bittersweet and lucid nihilists, who, despite the impending shadow of failure, never cease in their quest to find the answers to those questions. – Lorena Muñoz-Alonso

See more artworks by Gonzalo Lebrija here.

Paul Merrick

December 2, 2014By pablogtArtists, Blogt
Paul Merrick, Untitled, Moon-Rock
Paul Merrick, Untitled, Moon-Rock, Polystyrene, Found Image, Dressmaker Pins, Berry Pins, 115cm x 111cm x 10cm, Photo credit: David Lawson

I combine painting with sculpture, and the made with the ready-made. Investigating colour, form and architectural and special arrangements in relationship to painting as a subject and discipline in and of itself. My new work is the result of a sustained interrogation of painting and process in relation to the found object.

A series of new ‘Found Paintings’ are examples of this new investigation. Carefully selected objects such as used and discarded scrap metal, table tops, dusty panels and lighting units are presented as paintings, challenging the viewer to look beyond speculation about former use and action, towards acceptance of each object and surface as aesthetically final and complete, a reclamation and assertion of Painting through the artistic legacy of the found object.

My work draws on influences from disparate sources, referencing the luxury of 50’s and 60’s interior design of West Coast America, the murder scenes of Helmut Newton, Colour Film Noir and the post-industrial landscape of North East England. Salvaged from local scrap yards these works lead a double life: both as autonomous objects and as Mise-en-scene. As such they imply an event or act that occurs outside the work ambiguous and substantiation except for the intimated luxury or seediness of material and colour the works become both sinister and erotic. – Paul Merrick, 2012

See more artworks by Paul Merrick here.

Jagna Ciuchta

September 4, 2014By pablogtArtists, Blogt No Comments
Nightmare, Cut-out xerox - Caravaggio’s “David and Goliath” reproduction, cardboard, scotch-tape, 15 x 21 x 0,5 cm, 2010.
Nightmare, Cut-out xerox – Caravaggio’s “David and Goliath” reproduction, cardboard, scotch-tape, 15 x 21 x 0,5 cm, 2010.

Jagna Ciuchta has done some art defacing. See more art works by Jagna Ciuchta here.